Her sculpted female figures sometimes look unfinished, depicted without skin, or deformed or disfigured in some way. #Fun #Way. Past solo exhibitions have been held at the Montreal Museum of Fine Arts and the Modern Art Museum, Fort Worth (199697); Museum of Contemporary Art, Los Angeles (199697); Irish Museum of Modern Art, Dublin (199798); Hirshhorn Museum and Sculpture Garden, Washington, DC (1998); Carnegie Museum of Art, Pittsburgh (1998); Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson (1999); St. Louis Art Museum (1999-2000); and the International Center for Photography (2001). The influence of this radical group's use of unconventional materials can be seen in her work. Kiki-Smith, Io (Seated), 2005. Smith's interest in the elemental functions of the human body, particularly with female anatomy, merges with her Feminist perspective, and the iconography of her Catholic religion in her sculpture, Virgin Mary. Some of her earliest print works were screen-printed dresses, scarves and shirts, often with images of body parts. An important eighteenth-century silk needlework by a young woman named Prudence Punderson, The First, Second and Last Scene of Mortality (Collection of the Connecticut . In 2005, the artists first full-scale American museum survey titled Kiki Smith: A Gathering, 1980-2005 debuted at the San Francisco Museum of Modern Art. Her work [] [5], Smith moved from Germany to South Orange, New Jersey, as an infant in 1955. Kiki Smith Net Worth & Basic source of earning is being a successful American Artist. Kiki Smith - The Talks Photo by Richard Burbridge Art + Commerce Kiki Smith: "I just try to follow it" Uwe-Jens Schumann Listen to Audio Excerpt Ms. Smith, what does freedom mean when it comes to art? Kiki Smith, (born January 18, 1954, Nrnberg, Germany), German-born American sculptor, installation artist, and printmaker whose intense and expressionistic work investigated the body and bodily processes. Hyperallergic / Smith lives and works in . It was co-directed by Ellen Cooper. She uses a broad variety of materials to continuously expand and evolve a body of work that includes sculpture, printmaking, photography, drawing, and textiles. Biography. From the 2000s her work combined these interests to depict the intersection between women and nature. Pieces by Smith adorn consulates in Istanbul and Mumbai. "I've always worked at my kitchen table," she says. Smith's first solo show was at the Kitchen Gallery in 1982. . Lodestar, Smith's 2010 installation at the Pace Gallery, was an exhibition of free-standing stained glass works painted with life-size figures. Updates? Kiki Smiths income source is mostly from being a successful Artist. It is impossible to discern the figure's gender (though Smith herself posed for it, while assistants traced her), reinforcing its enigmatic quality. [31], In 1980, Smith participated in the Colab organized exhibition The Times Square Show. Kiki Smith Details: American, b. Related to this was her work exploring bodily fluids, which also had social significance as responses to the AIDS crisis (blood) and womens rights (urine, menstrual blood, feces). Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State. Kiki is gaining More popularity of her Profession on Twitter these days. She then moved to New York City in 1976 and joined Collaborative Projects (Colab), an artist collective. Smiths father was artist Tony Smith and her mother was actress and opera singer Jane Lawrence. Kiki Smith was born in Nuremberg, Germany. MoMA and the Whitney Museum both have extensive collections of Smiths prints. ", "Inside the Magical and Relentlessly Creative World of Beloved Artist Kiki Smith", https://www.theartnewspaper.com/2022/10/19/yayoi-kusama-and-kiki-smith-to-create-giant-mosaics-for-new-manhattan-train-station, Kiki Smith: Realms, March 14April 27, 2002, "If I Could Say This With My Body, Would I. I Would", "Jaguar Harmonics: A Collaborative Performance, Douglas Dunn Salon, New York, NY | Anne Waldman", "Whitney To Present Kiki Smith Retrospective, Traversing The Artist's 25-Year Career", "Mark Stevens (November 25, 2007), "The Way of All Flesh", nytimes.com; accessed April 1, 2015", Jackie Wullschlager (September 28, 2018), "Frieze London: women at work", "Kiki Smith: Woodland, 13 September 27 October 2018, London", "KIKI SMITH: MEMORY | Deste Foundation for Contemporary Art | Athens | Greece", "Belvedere Museum Vienna | Kiki Smith exhibition", "Kiki Smith wins Brooklyn Museum's Women in the Arts Award", "Hillary Clinton will give five artists medals for embassy art". The 12 richly coloured tapestriesa departure from Smith's black-and-white drawingsreveal the artist's love of animals and nature (she and her husband have around 60 beehives), fairy . Internationally renowned artist Kiki Smith to serve as IAA artist-in-residence at UNT for 2013-14 University of North Texas, September 27, 2013. edition of 10. Kiki Smith (born January 18, 1954) is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. Smith's interest in folklore, from ancient cultures through the Victorian era, often results in artworks displaying more than one theme at a time, as is the case with Lying with the Wolf. To add more books, click here . Also, being Catholic, making things physical, they're obsessed with the body. Also in London in 2018, an exhibition of Smith's tapestries, sculpture and works on paper was presented at the Timothy Taylor (gallery) from September 13 October 27. Kiki Smith. [35], The exhibition traveled to the Contemporary Arts Museum Houston, to the Whitney Museum of American Art in New York,[36] and finally to La Coleccion Jumex in Ecatepec de Morelos outside Mexico City. This time, the occasion is Tibn's tenth novel, The Magician, an imaginative, exquisitely researched account of the public and private life of the great German writer . The body, mortality, regeneration, gender politics, as well as the interconnection of spirituality and the natural world are observed through a postmodern lens. The female figure in this life-size bronze sculpture is emerging from the open belly of a recumbent wolf. When discussing her sculpture Smith stated, "It's a resurrection/birth story; 'Little Red Riding Hood' is a kind of resurrection/birth myth. See available prints and multiples, sculpture, and works on paper for sale and learn about the artist. View popular celebrities life details, birth signs and real ages. Kiki Smith Also known as Kiki Smit Date of birth 1954 Artworks See all 9 artworks Blood Pool, 1992 Kiki Smith Untitled, 1988 Kiki Smith Banshee Pearls, 1991 Kiki Smith Free Fall, 1994 Kiki Smith Toxicology, April 2009 Kiki Smith Untitled (Hair), 1990 Kiki Smith Sueo, 1992 Kiki Smith Puppet, 1993-94 Kiki Smith Worm, 1992 Kiki Smith [9] For a short time in 1984, she studied to be an emergency medical technician and sculpted body parts. From below, shadows obscure most of her features, enhancing her inscrutability, and generating a sense of unease in the viewer. In 2019 The 11 Conti Monnaie de Paris presented the first solo show of Smith by a French public institution. Kiki Smith's Constellation is a meditation on the infinity of space and our human desire to know and tame it - to make it our own. Smith stated, "Catholicism has these ideas of the host, of eating the body, drinking the body, ingesting a soul or spirit; and then of the reliquary, like a chop shop of bodies. The pair was rendered without background imagery to assign a specific context, but the wrinkled and patched paper segments resemble bed sheets and a pillow. In that way it's compatible with art." [29] She has worked with poet Anne Waldman on If I Could Say This With My Body, Would I. I Would. Woodland was produced in collaboration with Magnolia Editions. November 5, 2006, By Joseph Nechvatal / Smith participated in the 2017 Venice Biennale, Viva Arte Viva, from May 13 November 16, 2017. She subsequently attended Columbia High School, but left to attended Changes, Inc. Later, she was enrolled at Hartford Art School in Connecticut for eighteen months from 197475. Her crouching, upside-down posture appears poised to flee. She has created unique books, including: The term 'Rapture' appears elsewhere in the Bible to separate this event from the Second Coming of Christ. Kiki Smith's solo exhibition "From the Creek," on view at Albuquerque Museum features works that take inspiration from the natural world of the Catskills in New York, the same area that inspired nineteenth-century painter, Thomas Cole. [38], Smith participated in the 2017 Venice Biennale, Viva Arte Viva, from May 13 - November 16, 2017. Smith's many accolades also include the Nelson A. Rockefeller Award from Purchase College School of the Arts (2010), Women in the Arts Award from the Brooklyn Museum (2009), the 50th Edward MacDowell Medal (2009), the Medal Award from the School of the Museum of Fine Arts, Boston (2006), the Athena Award for Excellence in Printmaking from the Rhode Island School of Design (2006), the Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture, Maine (2000), and Time Magazines Time 100: The People Who Shape Our World (2006). She has gone on to create works that explore a wide range of human organs; including sculptures of hearts, lungs, stomach, liver and spleen. She has worked with poet Anne Waldman on If I Could Say This With My Body, Would I. I Would. [11] It was co-directed by Ellen Cooper. [24][25], In 2022, Smith to created a series of five giant mosaics for Manhattan train station at Grand Central Madison station, located beneath the Grand Central Terminal. , money, salary, income, and assets. In 2008, Smith gave Selections from Animal Skulls (1995) to the Walker in honor of Engberg. The exhibition traveled to the Contemporary Arts Museum Houston, to the Whitney Museum of American Art in New York, and finally to La Coleccion Jumex in Ecatepec de Morelos outside Mexico City. The mosaics are titled River Light, The Waters Way, The Presence, The Spring, and The Sound (all 2022). [12] In 1988 she created All Souls,[13] a fifteen-foot screen-print work featuring repetitive images of a fetus, an image Smith found in a Japanese anatomy book. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS and gender, while recent works have depicted the human condition in relationship to nature. Elevated as they are, their limp postures hint at ideas of death and suffering, perhaps crucifixion, while their gendered presence (along with their bodily fluids) invite associations with procreation and sexuality, and tie them to such religious concepts as Adam and Eve, and, ultimately, notions of Original Sin. The anonymous-looking, unidealized figures are Caucasian, depicted in mostly naturalistic skin-tones with areas of red-tinted mottling on each (the male figure is of noticeably ruddier complexion). And, for all that this flayed individual appears very vulnerable, by virtue of its location within the composition, one also experiences a sense of discomfort, even unease due to the unnatural placement of limbs and unresolved posture. While every effort has been made to follow citation style rules, there may be some discrepancies. Smith's artwork is heavily influenced by her Catholic upbringing. Smith is typically described as a 'self-taught' artistshe began her studies at Hartford Art School in Connecticut in 1974 but dropped out a year and a half later. Mary Magdelene (1994), a sculpture made of silicon bronze and forged steel, is an example of Smith's non-traditional use of the female nude. Kiki Smith (born January 18, 1954) is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. Smith is a leading proponent of artists addressing philosophical, social, legal, and spiritual aspects of human nature. The line between the artist Kiki Smiths work and home life has always been faint, if it ever existed at all. Kiki Smith is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. Since then, her work has been exhibited in nearly 150 solo exhibitions at museums and galleries worldwide and has been featured in hundreds of significant group exhibitions, including the Whitney Biennial, New York (1991, 1993, 2002); La Biennale di Firenze, Florence, Italy (1996-1997; 1998); and the Venice Biennale (1993, 1999, 2005, 2009). [32] Since then, her work has been exhibited in nearly 150 solo exhibitions at museums and galleries worldwide and has been featured in hundreds of significant group exhibitions, including the Whitney Biennial, New York (1991, 1993, 2002); La Biennale di Firenze, Florence, Italy (1996-1997; 1998); and the Venice Biennale (1993, 1999, 2005, 2009). Smith used the body as a metaphor for the passions and tribulations of existence, and her work reinvigorated the tradition of expressionist and emotive figural sculpture. When printed, this technique results in a halo around the Virgin Mary and Holy Spirit. In a certain sense, you're always being challenged to learn and investigate new things or new ways of making things or new technical aspects of things. In 2012, Smith showed a series of three of these woven editions at the Neuberger Museum of Art. In association with Colab, Smith printed an array of posters in the early 1980s containing political statements or announcing Colab events. Instead, the viewer is asked to acknowledge the woman beneath the veneer of holy mysticism. In early 2019, all twelve were exhibited together as part of "What I saw on the road" at the Palazzo Pitti in Florence, Italy. Posner, Helaine, with an interview by Christopher Lyon, This page was last edited on 17 January 2023, at 15:27. Lodestar, Smith's 2010 installation at the Pace Gallery, was an exhibition of free-standing stained glass works painted with life-size figures. In summer 2019, the Lower Belvedere is presenting the multi-facetted oeuvre of the American artist Kiki Smith. This leaves viewers with a conundrum, as they must decide either that the venerated figure was simply human or that a woman's body is actually sacred. La Monnaie de Paris, the Paris Mint, recently dedicated a retrospective to the artisther first in a French institution. Since the early 2010s Smith has created twelve 9 x 6ft. Jacquard tapestries, published by Magnolia Editions. In 1988 she created "All Souls", a fifteen-foot screen-print work featuring repetitive images of a fetus, an image Smith found in a Japanese anatomy book. She is currently single. Kiki Smith: Sojourn draws on a variety of universal experiences, from the milestones of birth and death to quotidian experiences such as the daily chores of domestic life. Kiki Smith began working with human anatomy as early as 1979, and by the early eighties was living in New York, showing at white Columns, Artists Space and PSI, and several commercial galleries. We can see Smith's shift in focus from the figurative art to animals in the late 1990s and then to their corresponding relationships in 2001. There seems to be no medium that Smith hasn't tried and mastered: she is an expert draughtsperson, a renowned printmaker and a sculptor who has worked with every imaginable material, including beeswax, found objects, paper, glass, and bronze (for which she does her own casting, before a foundry makes the final work). Smith was elected a member of the American Academy of Arts and Letters, New York, in 2005. Kiki Smith Professor of Theatre Contact & Office Hours Theatre 13a 413-585-3216 ksmith@smith.edu Education M.F.A., University of Texas M.A., University of Virginia A.B., Smith College Biography In addition to teaching, Kiki Smith is also a professional costume and set designer. As a young girl, one of Smith's first experiences with art was helping her father make cardboard models for his geometric sculptures. The woman can be identified in multiple narratives including St. Genevieve (the patron saint of France), Little Red Riding Hood, plus in the more obscure references to the She-wolf, the predatory side of womanhood. Now three sculptures by Kiki Smith recall this moment of the synagogue's decay, with gold leaf-covered birds perched on aluminum chairs. Reproduction itself was very much on Smith's mind: She first visited Numeroff's lab to look at sperm. Lilith is an arresting figure, hanging upside down on a wall of the gallery. In "Assembly II" she depicts a lineup of women -- her friends and assistants -- lined up beneath the row of bulbs, communicating the group dynamic necessary for progress. Kiki Smith Nremberg (Germany) / New Jersey (USA) Kiki Smith is a contemporary American artist best known for her figural representations of mortality, abjection, and sexuality. In 1984 Smith finished a definitively unfinished feminist no wave super8 film, begun in 1981, entitled Cave Girls (film). Often the site of violence - physical, textual, and representational - female bodies in particular have been marked by danger. Smith was fascinated by figurative art and became known for her visceral, often disturbing artworks that depict the human body in detail, focusing on themes of women from mythology and folklore, or that reference her Catholic upbringing. In 2012, she received the U.S. State Department Medal of Arts from Hillary Clinton. In contrast to those secretions tied to procreation, the red tinted coloring on both figures (the male more so, imparting a somewhat ruddy hue to his features), certainly implies blood, but might also remind the viewer of the ancient burial practice of adorning the dead body with red ochre. Procession. They're installed on the third level women's gallery . Smith had considerable experience in printmaking, having experimented with monotype, and screen methods since the late 1970s. Smith was the subject of many solo exhibitions, including a retrospective in 2006 organized by the Walker Art Center, Minneapolis. Birth, death, and regeneration are recurring . The figure is without skin everywhere but her face, breasts and the area surrounding her navel. Her work as a sculptor bore little resemblance to that of her father. She has talked about how her parents were not education-focused individuals, and that they had said to their daughters, "Oh, we thought you'd find yourself and your own interests.". By manipulating everyday materials such as glass, ceramic, fabric and paper, Smith's work examines the dichotomy between the psychological and physiological power of the body. Past solo exhibitions have been held at the Montreal Museum of Fine Arts and the Modern Art Museum, Fort Worth (199697); Museum of Contemporary Art, Los Angeles (199697); Irish Museum of Modern Art, Dublin (199798); Hirshhorn Museum and Sculpture Garden, Washington, DC (1998); Carnegie Museum of Art, Pittsburgh (1998); Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson (1999); St. Louis Art Museum (1999-2000); and the International Center for Photography (2001). The contrast in texture is striking - the fur of the wolf is heavily textured and coarse, while the woman's surface appears smooth and radiant, even new. Artist Kiki Smith, daughter of the American sculptor Tony Smith, had an unorthodox upbringing in New Jersey. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS and gender, while recent works have depicted the human condition in relationship to nature. The Virgin with Dove[14] was achieved with an airbrushed aquatint, an acid resist that protects the copper plate. Art, especially contemporary art was present at every stage of Smith's life; she often helped her father make paper models for his sculptures in their living room, and in his studio, after school. Consequently, Adam rejected Lilith and she fled into the demon world to reside, a symbol of female rebellion. [Internet]. "But now I have a palace!" The palace in question is in Catskill, 123. Give this article. MoMA and the Whitney Museum both have extensive collections of Smith's prints. In association with Colab, Smith printed an array of posters in the early 1980s containing political statements or announcing Colab events, such as her The Island of Negative Utopia poster done for ABC No Rio in 1983. Smith was elected a member of the American Academy of Arts and Letters, New York, in 2005. New York Times / In 2012, Smith showed a series of three of these woven editions at the Neuberger Museum of Art. If any artist could handle a misbehaving and even slightly disgusting body, Smith could. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism and gender, while recent works have depicted the human condition in relationship to nature. She wears a chain around her ankle; her face is relatively undetailed and is turned upwards. Her husband was close to Jackson Pollock and Barnett Newman, and she was the subject of one of Pollock's late black-and-white paintings, No. Prompted by her fathers death in 1980 and by the AIDS death of her sister, the underground actress Beatrice Bebe Smith, in 1988, Smith began an ambitious investigation of mortality and the physicality of the human body. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS and gender, while recent works have depicted the human condition in relationship to nature. courtesy of Modern Art Oxford. Her work is voraciously wide-ranging across obsessions, and is thus hard to encapsulate with a quick swipe. Although Kikis work takes a very different form than that of her parents, early exposure to her fathers process of making geometric sculptures allowed her to experience formal craftsmanship firsthand. Kiki Smith (born January 18, 1954) is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. In 2012, she received the U.S. State Department Medal of Arts from Hillary Clinton. Some of her earliest print works were screen-printed dresses, scarves and shirts, often with images of body parts. Smith printed the image in black ink on 36 attached sheets of handmade Thai paper. Kiki Smith grew up in a vibrant artistic family; she is the daughter of the sculptor Tony Smith and the opera singer Jane Lawrence Smith. Wiki: Biography & Celebrity Profiles as wikipedia, Chevaughn Walsh Wiki, Biography, Age, Net Worth, Family, Instagram, Twitter, Social Profiles & More Facts. After being chosen speaker for the annual Patsy R. and Raymond D. Nasher Lecture Series in Contemporary Sculpture and Criticism in 2013, Smith became the artist-in-residence for the University of North Texas Institute for the Advancement of the Arts in the 2013-14 academic year. Lives and works in New York. The impersonal nature of the figure, with its reddish-pink layers and bands of muscle, sinew and pale bone brings to mind anatomical models and medical textbook illustrations. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State. Catholicism is always involved in physical manifestations of [spiritual] conditions, always taking inanimate objects and attributing meaning to them. Stepping forward, only her foot remains inside of the animal. But, her work in etching was new. Her net worth has been growing significantly in 2021-2022. Portrait by Benjamin McMahon. In this room-sized installation, the artist brings the vast dome of heaven down to earth, where cast glass animals and stars sparkle and glow at our feet. Of further significance is the life/death dichotomy that blood represents as the vector for deadly diseases such as AIDS, from which her sister had recently died and which was then reaching epidemic proportions worldwide. She has spoken fondly of the Victorian house in which she was raised in South Orange, New Jersey, and how it captured her young imagination, as a historical artifact with its own memories and indices to the past. Etching and aquatint on Japanese paper - The Museum of Modern Art, New York, NY. Smith has spoken often about the tragedies surrounding her life, "I grew up in a family with lots of illness. In association with Colab, Smith printed an array of posters in the early 1980s containing political statements or announcing Colab events. She is seen as one of the most successful Artist of all times. Today, the Artists Reflect on Their Enduringand InspiringFriendship, Kiki Smith on Cave Girls, Collaboration, and Some of Her Earliest Works, Kiki Smith in conversation with MCA Chicago Director Madeleine Grynsztejn, Surprisingly, Smith's art emerged from her upbringing within the spheres of, Smith forged a unique path within Feminist art, concentrating on the human figure when abstraction and, The wolf in Smith's art is as detailed and naturalistic as her human figures, but it also symbolizes the. Her artistic lineage also claims her grandfather, who was an altar-carver. ", "I grew up in a family with lots of illness. If you dont want something in a picture, she says, you can just paint it out.. [26], Smith was an active member of Collaborative Projects and ABC No Rio; participating in many Potato Wolf broadcasts and the Cardboard Air Band. The family returned to the United States in 1955, and Smith was raised in South Orange, New Jersey. So, Rapture is presented as an earthy and physical resurrection, but it represents a psychic and spiritual one, as well. Also in London in 2018, an exhibition of Smiths tapestries, sculpture and works on paper was presented at the Timothy Taylor (gallery) from September 13 October 27. They challenge the viewer to see the body as more (and less) than beautiful, idealized objects of veneration or attainment; they demand honest self-reflection by the viewer, and acceptance of the frailty, carnality, and vulnerability that are inherent in living in the flesh. Smith notes that the tapestries provide an opportunity to work at a larger scale (I never thought I could make a picture so big) and to work with color, which she does not frequently do otherwise. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. "Virgin on the moon" refers to the iconic image of the Virgin Mary standing on a crescent moon. 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